Chimpomatic

Argo

(dir. Ben Affleck)

Trenchcoats, crazy CIA plans, beards and a gripping true life hostage situation - there's a lot to enjoy in Ben Affleck's latest. Following The Town and Gone, Baby Gone, this is another assured directorial job from Affleck, here channeling the spirit of 70s classics like All The President's Men and Klute to craft an intelligent, grown-up thriller that doesn't have to resort to shoot-outs to ratchet up the tension. Bonus points for Van Halen and Led Zep on the soundtrack.

Tehran 1979: Ayatollah Khomeni's revolution is in full swing, the US embassy is stormed, 52 hostages taken - but six staff members manage to escape in the confusion and seek refuge in the Canadian embassy. Back in Washington, Carter-era spooks concoct "exfiltration" plans - with "the best bad idea" being a fake Hollywood production company scouting middle eastern locations for a Star Wars rip-off.

The film keeps the potential for any "Hollywood - so CRAZY!!" stuff to a minimum - managing to contrast it with the intensity of 70s revolutionary Tehran without resorting to Get Shorty wackiness. Max graininess in the cinematography (shot with an Arri Alexa, fact fans, as well as "on film, cut in half, blown up 200%" according to IMDB trivia) combines with actual news footage to build convincing period atmosphere. 

Affleck plays Tony Mendez, the CIA agent leading the plan, a role that plays to his strengths. The rest of the casting is spot on - Bryan "Breaking Bad" Cranston, Tate "Damages" Donovan, John Goodman as Hollywood make-up expert John Chambers (responsible for Planet Of The Apes' apes and Spock's ears), Alan Arkin, Victor Garber, Rory "Dazed And Confused" Cochrane, Titus (Lost's Man in Black) Welliver, Scoot (Monsters) McNairy and a cameo from Adrienne Barbeau in the goofy Argo cast's table read.

For more background, here's the Wired article on the actual CIA operation and the real-life fake movie. It's a great read, though obviously it's pretty much the entire plot. One nice detail that gets a little lost in the film - Captain America co-creator Jack Kirby did the original comic strip-style production drawings.

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24th Oct 2012 - Add Comment - Tweet

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82 Almost Best-of-the-decade albums

Various

The 00s have certainly been a turbulent decade for the music industry, from the rise and fall of Napster, through the MP3 and iPod revolution and on to the reality TV dominated close of the decade.

Drum and bass infiltrated pop music so throughly that it's now just part of the furniture, while Hip Hop blew up to dominate the US charts, nabbing a guest spot on dozens of chart toppers.

Filtering through the hundreds of albums released in the decade is no mean feat, so we've kept our final list strictly democratic - with the top 10 derived from those albums most nominated by our reviewers.

Read the top 10 here - but if that's not enough, here's a lazy, sprawling list of 82 others that come very highly recommended, in no particular order:

Interpol - Turn on the Bright Lights
Killer track: PDA. More New York cool, a 'go-to' album for so many occasions
TV On The Radio - Dear Science
Pearl Jam - Riot Act
Doves - Kingdom Of Rust
At the Drive In - Relationship of Command
Killer Track: Enfilade. A welcome dose of anger after the fallow years of the late 90s. Added bonus that it was released on the soon to be bust Grand Royal label.
Justice - D.A.N.C.E.
Santogold - Santogold
Smog - Dongs Of Sevotion
Cornelius - Point
Devendra Banhart - Smokey Rolls Down Thunder Canyon
Mugison - Lonely Mountain
Midlake - The Trials Of Van Occupanther
Electralane - The Power Out
Radiohead - Amnesiac
Beth  Gibbons & Rustin' Man - Out Of Season
PJ Harvey - Stories From The City
Caribou - The Milk Of Human Kindness
Pearl Jam - Bearoya Hall
Unusual in that it's a live album, this double acoustic set pulls together all that's great about the much-maligned grungers. Spine tingling.
Fugazi - The Argument
Not their best, but still one of the best
Low - The Great Destroyer
Vampire Weekend - Vampire Weekend
Iron & Wine - Our Endless Numbered Days
Killer track: Passing Afternoon. We live in noisy times, everyone should have an album like this to retreat to now and again
Bruce Springsteen - The Rising
The only artist capable of an appropriate 9/11 album.
Blond Redhead - 23
Grandaddy - Software Slump
John Frusciante - Shadows Collide With People
The Early Years  - Early Years
Frightened Rabbit - The Midnight Organ Fight
Killer track: Fast Blood. One of those albums that just clicks straight away, some brutally honest songs but never a hard listen
The National - Alligator
Jay-Z - The Blueprint
Despite his fame, his only album that's solid throughout.
The Shins - Wincing The Night Away
Arcade Fire - Neon Bible
Bright Eyes - I'm Wide Awake It's Morning
Portishead - Third
Spoon - Girls Can Tell
Spoon - Ga Ga Ga Ga
Spoon - Kill The Moonlight
Spoon - Gimme Fiction
Yes, we like Spoon.
Stephen Malkmus - Pig Lib
Elbow - Leaders Of The Free World
CJ: Their strongest album from a solid bunch of releases.
Kings Of Leon - Because Of The Times
7 minute opener followed by track after track.
Electrelane - No Shouts, No Calls
Johanna Newsom - Y's
Band Of Horses - Cease To Begin
Radiohead - Hail To The Thief
Buck 65 - Talking Honky Blues
Common - Like Water For Chocolate
Silver Jews - Lookout Mountain, Lookout Sea
David Berman finally made sense.
Animal Collective - Merriweather Post Pavilion
Guided By Voices - Human Amusement at Hourly Rates
Finally a solid album from GBV. One of the best best ofs going - up there with Neil Young's Decade.
Wilco - Yankee Hotel Foxtrot
Bon Iver - For Emma, Forever Ago
The Good The Bad And The Queen - The Good The Bad And The Queen
Another surprising side-project from Damon Albarn
TV On The Radio - Return To Cookie Mountain
Elbow - The Seldom Seen Kid
Red Hot Chilli Peppers - By The Way
Titus Andronicus - The Airing Of Grievances
No Age - Nouns
Jay-Z - The Black Album
The Wedding Present - Take Fountain
An awesome return for the Indie legends, embracing a move to the US for Uncle Gedge
Kanye West - College Dropout
John Frusciante - To Record Only Water For 10 Days
Paving the way for Frusciante's magnificent return to form.
The Cave Singers - Welcome Joy
Low - The Great Destroyer
Catfish Haven - Devastator
The Strokes - First Impressions Of Earth
The Invisible - The Invisible
Lightning Dust - Infinite Light
The Decemberists - Picaresque
The Coral - Magic And Medicine
Killer track: Liezah. Some strictly Liverpool uncool. A Coral album is a comforting thing.
Beirut - The Flying Club Cup
Radiohead - Kid A
Cannibal Ox - The Cold Vein
DJ Shadow - The Private Press
Great at home or on the dance floor.
Flight of the Conchords - Flight of the Conchords
It shouldn't work, but it does. Comedy genius.
Interpol - Antics
Take you on a cruise. Awesome
The Walkmen - You & Me
Killer track: In the New Year. Band of the decade for Chimpovich.
Arcade Fire - Funeral
Why? - Alopicia
Weird indie hip-hop that just works.
Ladyhawk - Shots
My Morning Jacket - It Still Moves
White Denim - Workout Holiday
Killer track: Lets Talk About It. Chaotic, energetic, sounds like a good time was had making it.

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31st Dec 2009 - Add Comment - Tweet

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Best Of 2009

CJ

Titus Andronicus - The Airing of Grievances
Rip roaring

The XX - XX
A late entry

John Frusciante - The Empyrean
Mr prolific returns

Doom - Born Like This
Quality in a struggling genre

Ian Brown - My Way
Despite his pedestrian lyrics still doing his own thing well.

Gig of the year (didn't go to enough)
Micah P Hinson - Zaragoza, Spain 

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28th Dec 2009 - Add Comment - Tweet

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Best Of 2009

BC

It's been a crazy old year 2009, not quite the end of the modern world as predicted from the rubble of 2008 but strange nonetheless. And what better soundtrack for utter misery than the New Jersey new boys Titus Andronicus who stole the show for me early on this year. Heavyweights Sonic Youth returned with the solid The Eternal and Doves continued their run of form. Punk duo Japandroids were the unexpected highlight this year with Post Nothing. They sat proudly on top of an over subscribed DIY noise scene. Disappointment came in the form of the bloated Decemberists album and the equally bloated Monsters Of Folk gig at The Troxy Here's my lists...

Titus Andronicus - The Airing Of Grievances
It's pretty sad when the album of the year arrives in January and technically this is a 2008 release but really, who even reads this shit? No matter what came after this nothing could match the shear might of this debut.

Japandroids - Post Nothing
This came out of nowhere and has been rocking my world ever since. It's raw, simmering energy just makes you wish you were young again, when making out and living forever were as important as as likely as eachother.

Doves - Kingdom Of Rust
They've been pumping out solid albums since the start of the decade but Kingdom Of Rust seemed to be the most perfectly formed of them all. The opening 3 tracks are the strongest starting line up this year.

Girls - Album
This gets my award for the most original release, even though it sounds like so many other things. Achingly sad from start to finish but utterly uplifting nonetheless.

Sunset Rubdown - Dragonslayer
After the compelling yet bloated and slightly confusing Random Spirit Lover I was surprised to find Dragonslayer so succinct. It's some of Krug's finest work.

Honorable Mentions:
Sonic Youth - The Eternal
The Pains Of Being Pure At Heart
Loney Dear - Dear John
Fuck Buttons - Tarot Sport
Why? - Eskimo Snow
The XX

Gigs:
Wilco - The Troxy
Pearl Jam - O2
White Denim - Old Blue Last
Titus Andronicus - 100 Club
Jason Lytle - Islington Academy

Songs:
Japandroids - Heart Sweats
Sonic Youth - What We Know
Doves - The Outsiders
Animal Collective - My Girls
Girls - Hellhole Ratface

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23rd Dec 2009 - Add Comment - Tweet

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No Age

Scala, London

As much as I love this band and would see them play at every given opportunity, there really is no need to make me feel so damn old. Perched high up on the balcony so as not to spill my drink I watched with horror as kid after kid threw themselves willingly into the surging crowd from the edge of the stage and was then tossed around like a limp seal between two killer wales. Dean and Randy seemed oblivious to this and played harder and harder as they dropped hit after hit from all three of their releases. After the non-starter that was opening band Trash Kit and the impressive yet way too noodling second act Gentle Friendly it was a treat to be witness to the power of this drums and guitar duo.

This was a proper punk-rock gig and having seen White Denim and Titus Andronicus this year and stood in bewilderment at the static crowd at both it was so good to see kids kicking the shit out of eachother to such great music. It may have been my lofty position but Dean's vocals were less than clear however Randy's booming guitar more than made up for this. Kicking off with crowd-surfing favorite Teen Creeps and racing through every heavy hitter from Nouns it was abundantly obvious that these two have really honed their act during the extensive tour regime they have undertaken in recent years. The tracks from the latest EP Losing Feeling carried way more body live and really blended well with the abstract atmospherics of some of the Weirdo Rippers stuff, Every Artist Needs A Tragedy and Boy Void being choice cuts. They're looping a lot more vocals now which adds strength to their live set. Face-shredding punk is still the M.O. here, but to hear that burst through shambolic looped noise is awesome.

I must admit, I spent more of my time watching the endless wave of lifeless bodies being hurled into the air than I did the band, but was nonetheless convinced once more of the magic of these two guys. They've played a scary amount of shows since the last time I saw them and yet they still play like it's an opening night. A class act.

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21st Oct 2009 - Add Comment - Tweet

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Titus Andronicus

100 Club, London

May 20th 2009

This must be the first time I've gone to a gig purely for the support act - and though San Diego hot-tip The Soft Pack were entertaining enough, it was Titus Andronicus that was the main event for me last night. With wall-to-wall framed pictures of past legends looking on expectantly the 5 young punks form New Jersey had a lot to live up to, and they certainly didn't disappoint. Instead they kicked the shit out of that place like it had just been built.

With just one LP under their belt they played like legends themselves carrying a self confidence born purely on the knowledge that any one of the songs off The Airing Of Grievances would tear this place down. The wall of sound that holds up the LP was erected in monolithic form on stage with awesome drumming standing shoulder to shoulder with the muscular 4 pronged guitar attack. Front man Patrick Stickles led this crew looking like a 70's era Scorsese - he throttled the mic and shrieked venomously and it seemed more genuine than any performance I've seen in a long time. It's easy to look longingly at the pictures that adorn the walls of this infamous venue and feel that whatever existed then can never repeat itself, then take a look at the stage and a rare feeling tells you that this is the real deal.

They've made an unexpected album of the year, and while their influences are abundantly clear they are mere jumping off points for a truly unique style of punk. They play songs that should really last for less than a minute but are morphed into epic monsters - and they play out these monsters with the tightness of a longtime ensemble. I've enjoyed the album so much this year (it was slim pickings until they came along) but I was so pleased not to see a bunch of skinny jeaned kids rehashing other peoples performances. Instead I bore witness to a fucking hard punk gig, but one played out with intelligence and bucket loads of passion.

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22nd May 2009 - Add Comment - Tweet

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Titus Andronicus

The Airing Of Grievances

XL Recordings

If the year 2009 was a person and one of your mates he'd be a right bore. He'd be constantly broke, sighting the credit crunch at every given opportunity - and he'd probably spend most of his time dreaming up ways to shaft you of all your money. Now if The Airing Of Grievances - the debut album from Titus Andronicus - was also one of your mates, he'd have blugeoned 2009 by now, dumped his lifeless corpse into landfill. Not for the reason that he's a diehard optimist - far from it - in fact, he'd be a vicious little fucker, but he just wouldn't stand for any of this namby-pamby fear mongering that goes on and so far The Airing Of Grievances is the only album to kick the broke ass of 2009 firmly and squarely between its limp little cheeks.

Here are some facts, Titus Andronicus are 5 guys from a small town called Glen Rock in New Jersey, a safe suburban enclave to the west of New York City. The Airing Of Grievances is their debut album following a pair of 7" singles and an early EP, it's got 9 tracks, its 45 minutes long and it's fucking brilliant.

If only I could stop there, but in order to justify my massive wage packet I must go on. The Airing Grievances is essentially a punk record but it's way more complicated than that. It's a pit-bull that thinks it's an alsatian, a punk record that thinks it's an Explosions In The Sky record. At times It can sound like Conor Oberst fronting The Wedding Present and at others it could be No Age fronting the E Street Band. It's supremely muscular and feral and yet highly sophisticated. Singer and chief songwriter Patrick Stickles has a voice like a bandsaw cutting through sheet metal, it's almost constantly out of tune and really couldn't give a shit and it stands proud in front of a deafening wall of sound that is the rest of the band. As in all music it's the relationship between this voice and this sound that holds the key to the albums success. Stickles can morph his voice into a blunt instrument of such power and venom as if it's his only way of smashing through this wall of guitar breeze-blocks that constantly towers above him.

From the opening "Fuck You" howl of Fear And Loathing In Mahwah, NJ this record pummels relentlessly, it's massive musical structure rising slowly like a great city being raised from the oceans depths. Each song adds something different to the mix with this huge sound receding to allow room for punctuating guitar work on Fear And Loathing or the driving rhythm of My Time Outside The Womb. Joset Of Nazereth's Blues balances this might with Springsteen style harmonica while the title track foams at the mouth as Stickles spits the mantra "You're life Is over" repeatedly and eventually being joined by the rest of the band for a climactic finale. But it's the two tracks that follow that this record has been building up to. No Future, Pt 1 and No Future, Pt 2 The Days After No Future transform this record from a fiercely original punk pop album to something stella. They play out as one track and together stretch out over more than 14 minutes. It's one of the only times in the record that the tempo slows down and allows a brief breather. But as Pt 1 builds from this breather like a far off wave it drops into Pt. 2 and all hell breaks loose. Massive instrumental juggernaughts speed off at great speed and really open up the album into something magnificently ambitious.

The track lengths grow as the album progresses and so does the confidence. Stickles' vocals stand shoulder to shoulder with the awesome sound that props it up. He howls, screeches and moans over these huge riffs but always sounds raw and unhinged. The whole record sounds like a basement punk tape while effortlessly stretching out over enormous ground. It's this odd juxtaposition that defines their success. As Stickles shrieks on the title track "No more cigarettes, no more having sex, no more drinking till you fall on the floor, no more indie-rock, just a ticking clock," The Airing Of Grievances is a calamitous voice of doom and with a pounding fist draws a line under much of the music I've heard in a long time.

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25th Feb 2009 - 2 comments - Add Comment - Tweet

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