Chimpomatic

Stereolab return with Chemical Chords - their ninth studio album, which is being billed as something of a comeback. While technically this is the band's first studio album since 2004's Margerine Eclipse, it's not like there's been nothing but silence. 2005 brought the EP collection Oscillons from the Anti-Sun, while 2006 brought 6 new singles (collated on Fab Four Suture) and the 'Greatest Hits' collection Serene Velocity. With the winding down of Too Pure, this album is brought to your senses by 4AD, but Stereolab's own label Duophonic is still calling the shots.

In the seventeen or so years that the band have been going, their once unique style has been much appropriated - by other bands, as well as dozens of Stereolab-esque purveyors of music-for-mobile-phone-adverts. With the odd exception, as time has passed the band themseleves have become less abrasive - less post-rock, more yacht rock - and that trend contunes here.

Stangely, the upbeat Neon Beanbag is not dissimilar to Yo La Tengo's bean bag infused track - Beanbag Chair. They must have got that memo. While there are darker moments here and there - such as the atmospheric title track - it's Laetitia Sadier's upbeat vocals that provide the defining constant here, floating in and out around through the light pop of Valley Hi!, the xylophones of Silver Sands and the piano of Daisy Click Clack. There are touches of Motown here and there and the electronics have a more organic, less organic sound than on some efforts - but to be honest, having pretty much pioneered this style, it's hard to criticise Tim Gane and his merry band of popsters.

The delay may have been (somewhat) significant but the results are the same. Another album of pleasing, if not challenging electronic nicety.