Chimpomatic

Cutter's Way

Confusing, pretentious and wholly inadequate 80's 'detective' movie with Jeff Bridges..

Halliwell says: Heavy-going melodrama which tries very hard to be something more than a thriller, and manages only to imply that the world stinks; so it might as well have stuck to Philip Marlowe.

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#Halliwell

26th Mar 2010

Kick-Ass

(dir. Matthew Vaughan)

V enjoyable superhero flick that does exactly what it says on the tin. Adapted from the comic by Mark Millar and John Romita Jr, it follows the adventured of Dave Lizewski (Aaron Johnson) a high school fanboy who asks a simple question and then follows it to its logical conclusion: why hasn't anyone tried being a superhero?

After a few half-assed encounters with some low-level street thugs (basically involving him having his ass-kicked), his scuba-suited antics get picked up on YouTube and he becomes something of a local hero. This brings him to the attention of a far more organised duo - Hit Girl and Big Daddy (Nicholas Cage on great form) - who show him (and us) what real-life vigilantism would actually look like - basically, some unhinged people running around with a lot of guns and weapons.

The action is fast-paced, the nods to comic books on form without being overbearing (one flashback scene all told with comic panels is brilliant), and the dialogue a deft balance between hilarious and daft. Aaron Johnson (last seen as the young John Lennon in Nowhere Boy) is an engaging lead, Christopher Mintz-Plasse (aka McLovin in Superbad) has a good sense of comic timing, and it's always good to have Nic Cage in a role where you don't hate him for not being as good as he used to be. 12 year old powerhouse Hit Girl is a force of nature too, she gets some of the best lines, and this could easily be a breakout role for Chloë Moretz.

Chuck in the odd disarmingly moving scene, some gore-packed fights and a plot that keeps just the right side of almost-believable, and it's a winner. Totally not suitable for kids though, will be interesting to see how well it does without an underage superhero audience packing it out (although, let's face it, there are probably more than enough grown-up superhero fans around these days...). 

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#chimp71

23rd Mar 2010 - 2 comments - Add Comment - Tweet

Nik Bartsch's Ronin

ICA, London

The ICA - a different kind of ambience to some of the gigs I've frequented of late.  What a cultured group of individuals are to be found snuggling in this cozy nook just up the road from her maj. OK, so no one jumps around when the band finish a number, but on the positive side I won't go home wearing half a pint of Red Bull like I did at Les Claypool on monday night. So the ICA gets a thumbs up from me (but not the person who'd written the graffiti in the Gents - it read "You Bourgeois Cunt". There you go Banksy, that's how you do it).

Anyway. I digress.

Nik Bartsch has a musical mission and it's all about the crosstalk of rhythms. Ronin is one of his two bands, (the other is called Mobile) both of which share material and some members. Referred to by the ICA as "Zen-Funk" , it's a Jazz textured Steve Reich style experiment in rhythmic interplay, perhaps even more accurately called Math-Jazz. Anyway, before you all get visions of Howard Moon doing that Jazz face, it's important to understand that this band has a solid groove. The band play figures or riffs, patterns and pulses, but no wig-out solos or smug chords. The drummer might be playing in a different time signature to the piano, but a third rhythmic strand from the percussionist might lock them together in a new weird way that somehow makes your feet move.

Using acoustic instruments, plus electric bass, and some deftly applied reverb and delay, the band introduce musical patterns gradually, letting them take root in your head before something else joins in. Woodwind player Shaa creates mighty rasps from a contrabass clarinet, and smooth round tones from an alto sax. Bartsch himself is a very active player for a minimalist - confining his minimalism to the notes and figures played, but constantly plunging into the guts of the piano to mute the strings, pluck them and strum them with a drum-stick. In fact the whole band have this approach - to get maximum variety of tonal sound from the repeating figures (and keeping it funky).

The band really seemed to enjoy themselves - they had a nice crisp sound and were warmly received by the crowd. Absolutely recommended - next time they visit, be sure to check 'em out.

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#HarrisPilton

15th Mar 2010 - Add Comment - Tweet