Chimpomatic

Batman Returns

(dir. Tim Burton)

Warner Bros

THEN: The seemingly perfect casting of DeVito, plus 80's babe Michelle Pfieffer made this seem like the ideal follow-up to Burton's (at-the-time) phenomenal 1989 Batman re-imagination.

A change in scheduling moved the production from London's Pinewood back to Burbank in California, where a whole new Gotham took up 50% of the Warner Brothers back-lot, which at the time provided a mixed continuity. Little did we know the inconsistency of the future franchise.

NOW: With some of the pressure off after the success of the first movie, Tim Burton created a movie which fits far more homogeneously into his directorial cannon, thanks to the the skull-headed clowns, the Christmas setting and the disturbed strangeness of the penguin. Many of the problems from 1992 still exist - too many anatagonists, the dumb Max Shreck character (Christopher Walken), the doofus Penguin - but Michelle Pfeiffer pretty much plays the definitive Catwoman (with a sympathetic Selena Kyle origin story to boot). There's also no over-the-top Jack Nicholson to chew his way through the back-lot scenery and no shoe-horned Prince soundtrack.

In retrospect, the change of shooting location made for a massive improvement in the art direction of this second movie, without the visible location repetition that shrinks the scale of the first. The result is a surprisingly organic Gotham and a much fuller world. There are still many touches of the camp comedy of the TV show - which is bizarre, considering how dark and dirty Burton's Batman films seemed at the time.

Retroactive-praise aside, this is still way too long, pretty campy and extremely dopey for a superhero movie. Action and suspense-wise it offers virtually nothing, but it can certainly take some credit for paving the way for Christopher Nolan's far more thoughtful re-boot.

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16th Sep 2009 - 1 comments - Add Comment - Tweet

Over Her Dead Body

Even the excellent Paul Rudd can't save this turkey.

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13th Sep 2009

Broken Flowers

Disappointingly one directional arty-ness from Jim Jarmusch and Bill Murray

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13th Sep 2009

Burn After Reading

misfiring comedy from the Coen brothers

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13th Sep 2009

Green Card

Slow, but still solid.

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10th Sep 2009

The Big Pink

A Brief History of Love

Big Pink eh? Classics like ‘The Weight’ and ‘This Wheel’s on Fire’ comprised an impressive first album by The Band and in retrospect, while the songs are more divergent than their eponymous...

Hang on, where am I? This isn’t Mojo magazine. Any comparisons to Robbie Robertson’s folk-rock outfit can stop there. We’re talking Neo-Shoegaze baby, we’re talking Shoetronica, we’re talking 'bout Nu Gaze. Sonic cathedrals of noise are all the rage again right now… though when I tried playing my M83 album in the whispering gallery at St Paul’s, I was rudely ejected.

The hype machine for 4AD’s new signing is starting to crank up like a string of Kevin Shield’s effects pedals and if you listen to the radio you’ve probably already heard The Big Pink's single ‘Dominos’ – a catchy FM friendly stomp that equates girls who have inner-ear balance issues to pizzas or South London-based Indie labels.

‘A Brief History of Love’ is a big sounding album. Vast swathes of sound echo wash over you, all fizzing noise and blankets of warm guitar under sweeping skies of analogue static, with a backbone of drums and epic machine-made beats. It makes for a good headphone listen, although I imagine they’ve got other spaces in mind, like playing to the sunset crowd on the Other Stage at Glastonbury – you can pretty much see the light show in your head during the more climactic moments.

More than a few times it brought to mind School of Seven Bells’ album ‘Alpinisms’, which has a similar intricate yet expansive production. Ultimately though, that became my problem with this record, in that ‘A Brief History of Love’ kept coming out unfavourably in comparison. School of Seven Bells minus all the clever sounds would still make for a very weird and interesting listen, with their crystalline harmonies and strange poem-like lyrics. If you strip out The Big Pink’s shimmering soundscapes, what’s left?

Underneath what’s fair to say is an immaculately produced record, I kept on finding The Verve (on the slow, moody ones) or Kasabian (on the meaty, beaty ones). Lyrically, the word ‘baby’ seems to come up quite a lot. But what do I know? I don’t imagine School of Seven Bells sell that many records, while Kasabian definitely do. The Big Pink will probably become immensely successful and next year, as I’m flicking channels and come across their sunset Glasto slot on the BBC iPlayer, I’ll be able to say “I told you so”.

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10th Sep 2009 - Add Comment - Tweet

Various Artists

Ciao My Shining Star: The Songs Of Mark Mulcahy

Mezzotint Records

Covers compilation Ciao My Shining Star brings together a broad range of bands to cover the songs of influential musician Mark Mulcahy - with the aim of raising money to support the artists and his daughters after the tragic death of wife and mother Melissa Mulcahy.

Mulcahy and his prior bands Miracle Legion and Polaris were never big names in the UK (I've seen him once, supporting J Mascis & The Fog in 2001), and as a result the featured acts are predominantly American. It's the haunting keyboards of Thom Yorke's cover of All For The Best that are attracting most of the attention however, with its electronic Postal Service-like atmosphere serving as a reminder of the differences between Radiohead proper and Thom Yorke's solo career - all electronics and twitchy breaks.

The National also make their song their own, though Ashamed Of The Story I Told is more direct and immediate than their own work, Further contributions come from Dinosaur Jr, Frank Black, Mercury Rev, Ben Kweller and Josh Rouse amongst others. Mulcahy's talent seems to be his thought provoking lyrics, which no doubt was a big part in attracting such a wide range of admirers - and in the light if his family situation, those lyrics often seem touchingly poignant.

While many of the bigger names are up front on the album, there are many gems tucked away. However, as is often the case with these covers compilations, it's perhaps too easy to get people involved and the album does run a little long - muddying the lines around what were the highlights, while not inviting too much replay. In the digital age however, a chocolate box of covers like this is born to be cherry-picked for a playlist.

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#NM

9th Sep 2009 - Add Comment - Tweet