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Surveillance

The Amazing Spider-man

Solid, but essentially pointless remix that doesn't really add anything new to cinema.


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8th Apr 2013

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Rock of Ages

Nostalgic music choices, but yes - it is an actual musical.


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6th Apr 2013

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On the Beach

Atmospheric, somber, slow-burning, post-apocalyptic drama that fails to ignite.

Halliwell says: Gloomy prophecy which works well in spasms but is generally too content to chat rather than imagine. A solid prestige job nevertheless.**


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6th Apr 2013

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Lockout

Hideously mis-cast, B-grade Euro-blockbuster, with Luc Besson's sticky fingers all over it.


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4th Apr 2013

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RIP: Roger Ebert

America's Barry Norman, Roger Ebert has died aged 70. With presenting partner Gene Siskel, their show At The Movies ran a thumbs up/thumbs down system ...and generally got it right.

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4th Apr 2013 - Add Comment - Tweet

Ill Manors

Well-handled urban crime drama, that deals with the same old boring cliches.


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3rd Apr 2013

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Mudhoney

Vanishing Point

It was 1988 when Mudhoney put their super fuzz and big muff pedals together for first single 'Touch Me I'm Sick'…a cocky, snotty finger to the man, casting the band as full-time, half-cut losers just in it for the rock n roll. 25 years and 8 albums later, who would have guessed that they would be one of the last survivors in an industry more disposable than ever?

Since 2002 they've been back on Sub Pop, where it all began, and Vanishing Point keeps the finger raised and flag flying for noisy distortion and punk rock riffs. Drummer Dan Peters kicks off opener Slipping Away, with a reminder as to why he once kept Nirvana's drum stool warm for Dave Grohl. His pounding rolls are soon joined by Steve Turner's drunken lead and the unmistakable whine of Mark Arm. A sound perfected in '88 and not tweaked since.

On first single I Like It Small, Arm sings of the ambition that never saw them scale the heights "I've got big enough balls to admit I like it small" but is probably the reason they are still together and making music. Chardonnay is a 90 second love/hate song to "The crate that launched a thousand strippers" and I Don't Remember You is a fuck you to faces from back in the day. A day that Mudhoney, unlike most of their peers, survived. That they did so without changing their attitude or sound along the way is a small victory for those of us that don't feel that different from how we did 25 years ago either.

Killer Track: The Only Son of the Widow From Nain.

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1st Apr 2013 - Add Comment - Tweet

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Brave

Decent fairytale about a highlands princess who can't bear tradition. Looks great, but lacks pure Pixar magic.


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31st Mar 2013

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Trailer Park: Before Midnight

Round three: Julie Delpy and Ethan Hawke walk and talk again.

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28th Mar 2013 - Add Comment - Tweet

The Private Eye

Interesting looking pay-what-you-like digital comic from Brian K Vaughan (author of the very enjoyable series Y: The Last Man and Ex Machina) and Marvel artist Marcos Martin.

Welcome to Panel Syndicate, where artist Marcos Martin and writer Brian K. Vaughan deliver original comics directly to readers around the world, who pay whatever the hell they want for each DRM-free issue. Our first new storyline is THE PRIVATE EYE, a forward-looking mystery we created with colorist Muntsa Vicente. Set in a future where privacy is considered a sacred right and everyone has a secret identity, The Private Eye is a serialized sci-fi detective story for mature readers. You can download our 32-page first issue right now, for any price you think is fair. 100% of your payments go directly into our greedy mitts and will help fund the rest of a story that we're both very proud of (we hope there will be around 10 issues total; an old-school "maxiseries!"), so thanks for reading...

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26th Mar 2013 - Add Comment - Tweet

American Psycho

Overblown, vacuous satire that is hampered further by Christian Bale's near-slapstick performance.

Halliwell says: A daft, elegant portrait of a self-obsessed, fashionable, design-conscious man descending into psychosis as a result of his obsessions.**


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25th Mar 2013

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The Omega Man

Charlton Heston cruises an empty NYC by day, dodges albino mutants by night. Good start, lacks tension.

Halliwell says: "Realistic" version of a novel which was about vampires taking over, and was previously filmed unsatisfactorily as The Last Man On Earth. This nasty version rises to a few good action sequences but is bogged down by talk in between.*


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24th Mar 2013

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